Protected: Tracing Stains
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INSTALLATION
Protected: Con . Versus
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The Tale of Stainyx Trace
The Tale of Stainyx TraceText, and visual inspiration for a video animationA collaboration with eXMeLab, Arizona State University, and Toronto Metropolitan University. I am part of the great Stainyx flock, currently engaged in a mission with some members of our group. We often operate collectively, rarely venturing alone. We move effortlessly, crawling on surfaces or
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Protected: Con . Versus
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Protected: Tracing Stains
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Otherwise Agaze
Otherwise AgazeA co-authored project by AHMED KAMEL & GABRIELA KOBUS Our thematic starting point is the particularities of “World Exhibitions” and their relation to Cairo in 19th-century colonial Europe. With the aim of opening up a space to illuminate and expand the thematic field from an Arab and European perspective, we developed our artistic contributions
Just Like It Never Existed
Just Like It Never Existed, drawings, Ink on Paper, 15×20 cm each, 2023 Just Like It Never Existed (Drawings)Drawings, Ink on Paper, 15×20 cm each, 2023 Drawing from different text layouts that serve distinct functions—such as spiritual, scientific, literary, or indexical—the work uses lines that mimic handwriting in various languages. While the text gives the
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Middle Trace-Territory
Middle Trace (work in progress) “Middle Trace” is a visual diversification inspired by geography, history, and a reformulation of shapes associated with the Mediterranean region. This melting pot region has been a point of encounter and conflict since immemorial. Middle-Trace-1 ◄ Back Next ► Picture 1 of 7
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With Us, It’s Different
With Us, It’s DifferentFlags, Sculpture, Fabric and Concrete, 100x100x290 cm, 2020 This work interrogates the concept of cultural peculiarity and its symbols, through which members of diverse groups identify themselves. The series is based on blending familiar forms and creating hybrid ones. Three flags are suspended from a pole in a triangular concrete stand. Each flag bears symbols
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Did Not Happen
Did Not HappenThe work focuses on the topic of how power can be used to influence both individual and public perception, thereby altering collective memory and, subsequently, the official course of history. Despite the advancements in tools for documenting details, it is still possible to manipulate the overall picture. Even eyewitnesses can begin to doubt
Spiral
Spiral-drawing-41cmx30cm-pen on paper, 2010 Spiral (Drawings)Drawings, Ink on Paper, 41 x30 cm, 2010The installation explores mechanisms of conflict. A spiral typically emerges from a single point, expanding and intensifying like fire or a rolling snowball. It can become entangled and spread like cancer, or unfold with agility and precision. As a complex structure, the tension between