Drawing
Doubt of Stain
Text, drawings, ink on fabric, 2025
I remember the moment I was born—the moment I came into being as one of the supreme great flock.
Our flock lacks traditional features: there are no eyes, ears, mouths, noses, arms, or legs. Nevertheless, we can remember.
We move effortlessly, crawling on surfaces or flying through the air, unseen in the darkness and hidden from the eyes of most creatures.
We communicate through whispers unintelligible to humans, yet we understand their languages. This is our core advantage.
We are fiercely loyal only to our own kind. As we are often victims of others, they hate us because we are special.
We do whatever is necessary to thrive, feeding on human words—both written and spoken.
We operate collectively, rarely venturing out alone.
I often recall a mission with my flock where I found a script revealing how others see us. A passage reads as follows:
More »
————————-
Just Like It Never Existed, drawings, ink on paper, 15×20 cm each, 2023
Just Like It Never Existed
Drawings, ink on paper, 2023
Drawing from different text layouts that serve distinct functions—such as spiritual, scientific, literary, or indexical—the work uses lines that mimic handwriting in various languages. While the text gives the impression of being readable, it remains unintelligible, creating a contradiction between the expectation of understanding and the actual lack of clarity. The act of blacking out text suggests an erasure or burning, yet the traces of the original writing still persist, emphasizing the tension between destruction and retention.
More »
————————-
Middle Trace, drawings, ink on paper, 29.7 x 21 cm each, 2024
Middle Trace – Two Sides
Drawings, ink on canvas
————————-
Middle Trace, drawings, ink on paper, 29.7 x 21 cm each, 2023
Middle Trace – Territory
Drawings, ink on paper
————————-
Did Not Happen, acryl on canvas #1, 150 x 190 cm each, 2017
The work focuses on the topic of how power can be used to influence both individual and public perception, thereby altering collective memory and, subsequently, the official course of history. Despite the advancements in tools for documenting details, it is still possible to manipulate the overall picture. Even eyewitnesses can begin to doubt what they have seen with their own eyes.
More »
————————-
Hypothetical Society
Color drawings, 2009
In a hypothetical society, individuals have their own page—a platform that amplifies their voice beyond the circles they can reach in real life. This platform could deepen their sense of existence and connection, creating a parallel community that mimics interhuman relations. It allows participants to express their thoughts and feelings in an interactive way.
More »
————————-
Spiral
Drawings, ink on paper, 2010
The installation explores mechanisms of conflict. A spiral typically emerges from a single point, expanding and intensifying like fire or a rolling snowball. It can become entangled and spread like cancer, or unfold with agility and precision. As a complex structure, the tension between its lines is difficult to resolve—whether as an internal struggle or a multi-layered external one. This fluid dynamic continuously seeks escalation, drawing toward its core or shifting into an undefined state within its infinite possibilities.
More »
————————-
Repetitive Units
Drawings, ink on paper, 2012-2014
“I longed to remember his voice after his death, but I could not. Are there any sound records?”
More »